Joan watched her as gradually she shaped herself out of the shadows: the poor, thin, fretful lady of the ever restless hands, with her bursts of jealous passion, her long moods of sullen indifference: all her music turned to waste. It took a long time, and Joan, seated on the bed, remembered a night when she had taken a trapped mouse (if only he had been a quiet mouse!) into the bathroom and had waited while it drowned. It was finished at last, and Mrs Phillips stood revealed with her hair down, showing streaks of dingy brown.!

“Nobody,” answered the child. “I knew.” “It’s her mental state that is the trouble,” was all that she would say. “She ought to be getting better. But she doesn’t.”

“I haven’t asked any men,” she added, as she fixed Joan in an easy chair before the fire. “I was afraid of its introducing the wrong element.” She was following his wishes and going down into the country. They did not meet again until after the war. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.